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Though his longtime collaborator Swizz Beatz maintained that the guest appearances were arranged and recorded with X’s blessing, it’s impossible not to wonder what might have been had X been more present.
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Especially given how much the rapper has experienced, culminating in a renewed dedication to faith and a triumphant Verzuz battle with Snoop Dogg - who actually hosted X in his studio to record the album in the weeks that followed. Though his technical prowess is not quite as refined as it once was, there remains an undeniable interest in hearing his perspective. But it’s important to realize how distinctive DMX truly was, and how unique and revealing his studio albums were.Īlas, Exodus falters in that regard by largely sidelining DMX for the duration. That’s not to highlight his peak in order to tear down his more recent material, as doing so is a major disservice to X’s personal, and often difficult, journey through life.
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Some of his biggest singles - “X Gon Give It To Ya” and “Get It On The Floor” come to mind - featured the same violent intensity as his deeper cuts. Not only regarding his microphone presence, but his creativity, often unveiled through conceptual tracks like “ATF,” the “Damien” trilogy, and “The Professional.” Paired with a larger-than-life presence, his imagination fueled his reputation as one of the game’s most explosive innovators, a rare sort of performer who could captivate the mainstream without sacrificing his artistic integrity. Upon seeing the final tracklist, wherein X finds himself absolutely overwhelmed by guest appearances, it can feel as if he’s battling for screen time a strange development, given that it’s his name lining the marquee.Ĭonsider how engaged X was during his prime. Though the process of its creation was reasonably well-documented, it’s difficult to assess how much of DMX’s Exodus was put together prior to his passing. Part of what makes the best albums so engaging is their clear adherence to an artist’s vision. Retrieved October 23, 2014.Amidst a slew of guest appearances, DMX's "Exodus" shines whenever the legendary MC steps to the mic.įor those who have come to appreciate the album as an immersive experience, it can be difficult to fully commit to a posthumous release. ↑ " DMX – Chart history" Billboard Canadian Albums Chart for DMX.↑ " DMX – Chart history" Billboard Top R&B/Hip-Hop Albums for DMX.↑ "DMX – Chart history" Billboard 200 for DMX.↑ "DMX Proves 'Grand Champ' On Album Chart".↑ "Ryan's songs worth their wait in 'Gold '".↑ "DMX: The Great Depression : Music Reviews : Rolling Stone".↑ "Feature for OctoDMX' "The Great Depression "".↑ "NME Reviews - DMX : The Great Depression"."Keeping It Real, One Way or Another - latimes". "The Great Depression - DMX | Songs, Reviews, Credits". ↑ 1.0 1.1 1.2 1.3 "Critic Reviews for The Great Depression"."You Could Be Blind" (featuring Mashonda) "When I'm Nothing" (featuring Stephanie Mills) The album debuted at number one on the Billboard 200 chart, with first-week sales of 440,000 copies in the United States. The album demonstrated his continually strong allegiance with the Ruff Ryders with singles such as " Who We Be" and " We Right Here". 440,000 copies were sold within the first week of the album's release, and it was certified Platinum in December of that year. It was DMX's fourth consecutive album to debut at number one on the Billboard 200 chart. The album was released October 23, 2001, by Ruff Ryders Entertainment and Def Jam Recordings. The Great Depression is the fourth studio album by American rapper DMX. File:DMX - The Great ĭarrin & Joaquin Dean and DMX (ex prd.) Latarche Nas Collins (co-exec) Just Blaze, Swizz Beatz, Dame Grease, PK, Black Key, Kidd Kold